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Works List
Orchestra
Concert Band
Chorus
Voice
Religious Songs
Chamber Music
Keyboard
Tape
Popular Music
Orchestra
**Anxiety
(1994)
12’
Orchestra: 2Fls., 2Obs., 2Cls.(B. Cl.
doubles on 2nd Cl.), 2Bsns.,
4Hns., 2Tpts., 2Tbns., Tuba, 3Perc. Harp, Str.(6,4,4,3,2)
**Biblical
Women (1997) 17’
Soloists: Soprano, Bass, Narrator Orchestra:
Picc., 2Fls., 2Obs., 2Cls.,
B. CL., 2Bsn.s, C.Bsn., 2Hns., Bb Tpt., 3 Perc., Harp, Str. (9,8,6,6,5)
Commission/dedication: To Glenda
Kirkland and John-Paul White, my good friends and colleagues. The
piano version was orchestrated especially for the Pontiac- Oakland
Symphony’s Season Finale, April 13, 1997.
+The Eleventh Hour
(1992) 10’
Orchestra: Pic., 2Fls., 2Obs., E.H., 3Cls., B.Cl.., 2Bsns., 4Hns.,
2Tpts.,
2Tbns., Tuba, 3Perc.,Harp, Cel., Pf., Str. (9,8,6,6,5) MMB
Performances: Professionally recorded by Detroit Symphony Orchestra
at the Unisys African-American Composer’s Symposium Competition Concert,
Detroit, Michigan (Leslie Dunner, conductor).
“A dynamic new composition... a talent from
whom we shall hear more, I predict”.
--The Birmingham-Bloomfield Eccentric
“Storm music...a decibel strength that will
make you want to batten down the hatches”.
--The Detroit News
**Fantasy for
Piano and Orchestra (1983) 20’
Soloist: Piano
Orchestra: Pic., 2Fls., 2Obs., E.H., 2Cls., B.Cl.,
4Hns., 2Tpts., Tuba, 4Perc.,
**The
Integrated Concerto (1987) 8’
Soloist: Piano
Orchestra: 2Fls., 2Obs.,2Cls.,2Bsns.,4Hns.,2Tbns., 2Perc.,Str.
Dedication: In memory of Mischa Kottler.
Performance: The piece was written in 1978 and revised
in 1987 for premiere on October 4, 1987
by the Pontiac-Oakland Symphony.
**Spiritual
Awakening (1999) 15’
Orchestra: 4Fls. (2Pics. Double on Fls. 3 and 4), 3Obs. (B. Ob.
doubles on Ob. 3), E.H., 3Cls., B.Cl., 3Bsns., C. Bsn., 6Hns., 4Tpts.(2
Flugelhrns. double Tpts. 3 and 4), 3Tbns., Tuba, 4Perc., Cel., Harp,
Str.(9,8,6,6,5)
Dedication: To my Mom and Dad with love.
Concert Band
**Portrait in
Black (1992) 7’
Wind Ensemble: 2Fls., 2Obs., 3Cls., B. Cl., 2Bsns., 4Hns., 2Tpts., 2Tbns.,
Tuba, 3Perc., Pf.
Commission: The Oakland University Wind Ensemble, Premiered February
14, 1992 at Oakland University, Varner Recital
Hall.
For Little
Kids (1981) 8’
Wind Ensemble: Fl., Ob., Cl., E.H., Bsn.,Ten. Tbn., 2Perc.
Narrator,
Cel., Pf.
Chorus
**Conquest of
Jericho (1990) 15’
For SATB, Narrator, 2Vlns., Vla., Vc., D.B., and Piano
Commission/Dedication: To my husband Cedric and The Lyric Chamber
Ensemble’s Tenth Anniversary concert at Orchestra Hall, Detroit, Michigan.
Premiered on May 13, 1990 by the Brazeal Dennard Chorale and LCE.
Rhapsody Music Publications 2006
Help
(1975) 5’
For SATB, E.H., Vla., Bsn., and
Vc. (Piano reduction available)
Dedication: To my parents for their love and support.
**The Lord
God Will Come (1995) 10’
For SATB, Narrator, Tpt., 2Hns., Tbn., Timp., and Organ (Reduction score
available: SATB, Narrator and 2Pf.)
Commission/Dedication: To John Dovaras for the Oakland University
Community Chorus’ 33rd year of performances.
Rhapsody Music Publications 2006
**Three
Spiritual Settings (1993) 10’
For Male Chorus and Piano
Commission: Great Lakes Men’s Chorus, Center for Creative Studies
Concert in Detroit, Michigan. Premiered on December 4, 1993.
Voice
*Cantata for
Soprano, Bass, and Piano (Biblical Women) (1996)
17’
For Soprano, Bass, Narrator and Piano
Dedication: In memory of Frank Murch, my piano teacher
(inspired through the spiritual teachings of Rev. Larry Smith).
Premiered by Glenda Kirkland and John-Paul White on the Lettie Alston and
Friends Concert, February 11, 1996; Oakland University’s Varner Recital
Hall, Rochester, Michigan.
*Cantata for
Soprano and Piano (2002) 15’
Air (City Called Heaven), Recitative (E-li, My God), Interlude, Aria
(Blessed are They…), March (This Little Light).
Performance: World premiere
performance by Dr. Charsie Randolph Sawyer at the Symposium and Festival
featuring Compositions of African and its Diaspora. University of
Cambridge, Church College, England. August 3, 2003.
Written for Dr. Charsie Randolph
Sawyer
**Four Short
Pieces (1979) 10’
For Soprano (uses 3 Tubular
Chimes) and Piano
Performance: World premiere performance by Charsie Randolph Sawyer
at the University of Michigan
Poems by Mattsuo Basho
*A New
Heaven and A New Earth (1997)
5’
For Bass and Piano (also
available for soprano)
Dedicated: To Flavio Varani and John-Paul White, my good friends and
colleagues for their talents and support on the Lettie Alston and Friends
Professional Artists Series. Premiered on April 19, 1998 at Oakland
University’s Varner Recital Hall.
+*Done
Made My Vow (2001) 7’
Spiritual arrangement for Soprano and Piano
Commissioned by Glenda Kirkland.
Dedication: In memory of the composer’s grandmother, Maggie Beckon
Performance: World premiere performance by Glenda Kirkland at the
Museum of African American History, October 27, 2001.
+**Anthology of Religious Music
(2005)
with a CD containing 13 tracks of music. The
Anthology contains music written for Voice and Piano, 1997-2005.
Included in this collectioin are two Cantata for voice and piano,
Ten Spiritual Settings, and an Aria for bass and piano
(A Recitative and two Arias).
+**Anchored
in the Lord (2003) 4’
Spiritual arrangement for
soprano and piano
Performance: World premiere performance by Charsie Sawyer at the
University of Cambridge, Churchill College, England. August 3, 2003.
+**Calling Jesus (2003) 4’
Performance: World premiere
performance by John-Paul White at the Lettie Alston and Friends Concert,
Oakland University, Rochester, Michigan, February 7, 2004.
+**The
Whole World (2003) 2’
Performance: World premiere
performance by Glenda Kirkland at the Lettie Alston and Friends Concert,
Oakland University, Rochester, Michigan, February 7, 2003.
**Ten
Spiritual Settings (2003-05) 25’
Anchored in the Lord, Calling
Jesus, The Whole World, Done Made My Vow, Roun’ About the Mountain,
There Is A Balm, Here’s One, I Stood on de Ribber ob Jerdon, Is There
Anybody Here? and Nobody Knows but Jesus..
Dedication: The writing of these settings were a collaborative project
encouraged by and written especially for Glenda Kirkland, my friend and
colleague.
Religious Songs
Praise the
Lord (1992) 5’
For two voice children’s choir
and piano
Chamber Music
Composition 1
(1976) 5'
For 3Cl. A.Cl. B.Cl., Cb.Cl.
**Duel
(1992) 8’
For Vln, Vc, and Pf.
**Memories
(1981, rev. 1993) 12’
For Vln., Vc., and Pf.
+HP-Energico: Published in 'Black Women Composers (Twentieth Century
Music for Piano and Strings), Hildegard Publishing Company 2003).
Dedication: In memory of Pearl Roberts McCullom, my beloved
godmother and first piano teacher.
Performance: Premiered in Schlob Leopoldskron-Salzburg, Austria on A
Schloss Concert, entitled Women Composers from the U.S.A., April 23, 1996.
*Pulsations
(1993) 10’
For Solo Violin
Composed in 1974, revised 1993 for CD recording project.
**Quintet for
Brass and Piano (1986) 10’
For Tpt., Flug.Hn., Tbn., Tuba
and Pf.
**Three
Implied Jesters (1976) 5’
For Solo Clarinet
Dedication: The piece was written for teacher James Hartway.
**Visions
(1979, rev. 1993) 7’
For Marimba and Piano
Keyboard
**Anthology
of Keyboard Music
(2005)
The Anthology contains complete keyboard works written
from 1995-2000. Included in this collectioin is
the Journey, Four Moods for Piano, Four Rhapsodies, Sonata of the Day,
Piano Variations, Spiritual Awakening, Sweet Memories, Prelude and
Fugue, Diverse Imagery, Echoes from the Spirit, Daylight, Storm Chaser
and The End Times.
*Daylight
(2000) 7’
For 2 electronic keyboards
and synthesizer (Dedicated to Cedric and Darnell Alston)
*Diverse
Imagery (1995) 10’
For 2 Electronic keyboards and
sound modules. Collaboration with Gregory Patterson, dancer and
choreographer.
*Four Moods
for Piano (1993) 12’
forth Mood published by HP.
*Echoes from
the Spirit (2000) 8’
For 4 electronic keyboards and
Synthesizer (Dedicated to Mary Harris)
*The End
Times (1998) 15’
For 2 Electronic keyboards,
synthesizer and sound modules.
(Dedicated to my loving husband Cedric)
*The
Journey: The Longest Mile (2000)
5’
For Solo Piano (Dedicated to
Effie Gardner)
Audio Sample (MP3)
*Moods for
Piano (1975) 5’
For Solo Piano (4th
mood, pub. HP)
*Piano Variations on
“Lift Ev’ry Voice
and Sing” (2000) 7’
For Solo Piano (Dedicated to
Donna Cox)
+*Rhapsody
No. 4 (Keyboard Maniac) (1997)
4’
For Solo Piano (VP)
Audio Sample (MP3)
**Spiritual
Awakening (1997) 15’
For 2 Electronic keyboards,
synthesizer and sound modules
(Dedicated to my parents, Lucy and J.C. Beckon)
+*Three
Rhapsodies for Piano (1994) 9’
For Solo Piano (VP)
+*Sonata of
the Day 10’
The Morning’s Glory, Afternoon
Circles and Rumble in the Night
(Dedicated to Stanley Hollingsworth in his 75th birthday year))
Storm Chaser
- Adapted from the
Eleventh Hour
(1999) MMB 10’
For two pianos (arranged for
piano and synthesizers)
**Sweet
Memories 10’
For two pianos (arranged for
piano and electronic keyboards)
Prelude to the Urban City and Fugue-Ghetto (Dedicated to James Hartway)
Audio Sample (MP3)
Tape
**Love in any
Language (1987) 10’
For Electronic Tape
Commission: The Meadow Estate Holiday Concert on December 3, 1987,
Oakland University in Rochester, Michigan
**Mandate
1981 (1982) 7’
For Electronic Tape
Popular Music
**Secrets
(1988, rev. 2000) 10’
For Electronic keyboard, electronic tenor and bass guitars, and drums.
*recorded
+published
Abbreviations used to
indicate publishers
MMB MMB Music, Inc.
*Djones@mmbmusic.com
HP Hildegard Publishing Co.
VP Vivace Press*
LAF Lettie Alston and Friends**
**Published
Music—Exclusively distributed by:
Lettie Alston
and Friends
Department of Music, Theatre and Dance
319 Varner Hall
Rochester, Michigan
(248) 370-2047
E-Mail:
lbafriends@wowway.com Home phone: (248) 267-1287
E-Mail:
alston@oakland.eduOffice phone: 2493702047
All rights of public performance, including broadcasting
and television rights are controlled by ASCAP
4/ 03

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